There are many wildlife photography tips I can share with you, but here are the most vital. It really does rely heavily on, not only lighting, but your timing and knowledge of the animal you are photographing and a whole lot of endurance.
I can suggest taking a few memory cards with you and make certain you can store up an huge amount of information on them. And shoot in RAW. You will be able to get the most excellent quality that way and be able to keep those shots for a lifetime. And expect to take many pictures until you get the precise shot. It all comes down to homework.
Portraits can really educate us about wildlife photography. How we order and makeup our creature within the frame, focus on the eyes and body movement, and keep clear focus on the eyes...these are all methods we do in portrait photography all the time and wildlife photography is no different.
Even if you get nothing else sharp focus, and you have the eyes nice and clear, then you can get away with it. We always look at eyes, which is why this technique works best and works well. You may have noticed in the past that if the eyes are indistinguishable in a head and shoulders shot, then we just will not respond emotionally with the photograph.
Your own individual wellbeing is a huge consideration. In no way get overly near to a wild animal if you can help it. This is why wildlife photographers make use of really lengthy lenses. They must be able to get as close up to what is going on as soon as possible without alerting the animal to their being there, or, put themselves in harms way. A lot of wild animals are enormously protective and will react to you as a threat if they are frightened. So be wise. Bring a long lens and stay out of sight.
Not only do we use a telephoto lens for this purpose, but also for the idea of not wanting to intimidate the animal in any way. This is especially true for birds. Wild birds are nervous little things at best. When a bird is resting quietly on a tree branch waiting patiently for a mate, you don't want to make a sound from the undergrowth and risk it hurrying away.
Sunset and the break of day are by far the greatest times to take photos of wild animals. They come out for a meal and can be seen stalking, fighting and searching carefully. They will also come out of their sleeping spot, get ready for attracting a mate and start singing or performing the ritual of courtship. This can provide you with some amazing photo opportunities.
What about where you place things in the photo? Wild life photography, like any portrait photo, is best complete with a sense of balance of negative space and positive breathing space surrounding your animal. if an animal is looking into the distance for instance, be sure you give the animal breathing space in front of it to "look into". This works well for nearly all wildlife.
Utilize these wildlife photography ideas by going to the zoo. Photograph on a variety of animals until you feel confident to go to the next step- the wild. Good luck and happy shooting!
I can suggest taking a few memory cards with you and make certain you can store up an huge amount of information on them. And shoot in RAW. You will be able to get the most excellent quality that way and be able to keep those shots for a lifetime. And expect to take many pictures until you get the precise shot. It all comes down to homework.
Portraits can really educate us about wildlife photography. How we order and makeup our creature within the frame, focus on the eyes and body movement, and keep clear focus on the eyes...these are all methods we do in portrait photography all the time and wildlife photography is no different.
Even if you get nothing else sharp focus, and you have the eyes nice and clear, then you can get away with it. We always look at eyes, which is why this technique works best and works well. You may have noticed in the past that if the eyes are indistinguishable in a head and shoulders shot, then we just will not respond emotionally with the photograph.
Your own individual wellbeing is a huge consideration. In no way get overly near to a wild animal if you can help it. This is why wildlife photographers make use of really lengthy lenses. They must be able to get as close up to what is going on as soon as possible without alerting the animal to their being there, or, put themselves in harms way. A lot of wild animals are enormously protective and will react to you as a threat if they are frightened. So be wise. Bring a long lens and stay out of sight.
Not only do we use a telephoto lens for this purpose, but also for the idea of not wanting to intimidate the animal in any way. This is especially true for birds. Wild birds are nervous little things at best. When a bird is resting quietly on a tree branch waiting patiently for a mate, you don't want to make a sound from the undergrowth and risk it hurrying away.
Sunset and the break of day are by far the greatest times to take photos of wild animals. They come out for a meal and can be seen stalking, fighting and searching carefully. They will also come out of their sleeping spot, get ready for attracting a mate and start singing or performing the ritual of courtship. This can provide you with some amazing photo opportunities.
What about where you place things in the photo? Wild life photography, like any portrait photo, is best complete with a sense of balance of negative space and positive breathing space surrounding your animal. if an animal is looking into the distance for instance, be sure you give the animal breathing space in front of it to "look into". This works well for nearly all wildlife.
Utilize these wildlife photography ideas by going to the zoo. Photograph on a variety of animals until you feel confident to go to the next step- the wild. Good luck and happy shooting!
About the Author:
Amy Renfrey is a professional photography teacher. She shows you how to take stunning photos every single time, even if you have never used a digital camera before. To discover how to take good photos/ better than ever before visit her website today.
