There are three major ways in which ordinary painters typically evolve into pop art practitioners. Painters can start out in various forms or fields of art, such as conventional abstract expressionism. In this discussion, we will refer to those who started out in something that is not popular art as 'ordinary painters'. It is a fact that conventional art has always been viewed as being a bit elitist. It has evolved to popular art, though; however, said evolution could only be described as slow. It can also be classified as evolution because, at the end of this slow transformation of the art form, the artists deemed themselves to have improved greatly as artists. It is also worth noting that most ordinary painters don't just wake up one day, and start to turn into popular art practitioners. Rather, they tend to start coming up with popular art works, whilst still practicing conventional art.
But this is not something that is permanent. After a while, they will be churning out more popular art works than the conventional ones. Eventually, they earn a reputation as pop artists once they completely let go of conventional art and concentrate solely on popular art. Let us try to define the various triggers to this evolution from conventional art to popular art.
The first way in which ordinary painters typically evolve into pop art practitioners is through exposure to the products of this particular art movement. We have many ordinary painters who come across the products of popular art, and who go on to find such products attractive. Their natural response would be to try to duplicate them or come up with something similar or even better. They would then have to take steps to learn the practices associated with popular art. The point when they become pop art practitioners is when they fully stop creating conventional art. Instead, they will only be doing popular art and none of those conventional art works.
The second way in which ordinary painters typically evolve into pop art practitioners is through exposure to the literature developed by members of this art movement. It is a sad fact that many of these literature are not really sought out initially by aspiring pop art practitioners. It is more like the literature just accidentally popped into their radar. The literature in question tends to go to great lengths, in showing how popular art is better than conventional art which is depicted as, among other things, elitist. Some of the artists in question are persuaded by the literature in question, leading to their evolution from being conventional art practitioners to popular art practitioners.
The third way in which ordinary painters typically evolve into pop art practitioners is through interactions with members of this particular art movement. Often, the practitioners of popular art tend to be rather different from other artists. They appear to be more passionate about their art and enjoy it more. It also appears as though they earn more from the practice of their art. They seem to be more of the type who finds more meaning in what they do. There is no doubt that these interactions would serve to convince these ordinary painters to try their hand at practicing popular art. This would spur their evolution from practitioners of conventional art to being more involved in practicing popular art.
But this is not something that is permanent. After a while, they will be churning out more popular art works than the conventional ones. Eventually, they earn a reputation as pop artists once they completely let go of conventional art and concentrate solely on popular art. Let us try to define the various triggers to this evolution from conventional art to popular art.
The first way in which ordinary painters typically evolve into pop art practitioners is through exposure to the products of this particular art movement. We have many ordinary painters who come across the products of popular art, and who go on to find such products attractive. Their natural response would be to try to duplicate them or come up with something similar or even better. They would then have to take steps to learn the practices associated with popular art. The point when they become pop art practitioners is when they fully stop creating conventional art. Instead, they will only be doing popular art and none of those conventional art works.
The second way in which ordinary painters typically evolve into pop art practitioners is through exposure to the literature developed by members of this art movement. It is a sad fact that many of these literature are not really sought out initially by aspiring pop art practitioners. It is more like the literature just accidentally popped into their radar. The literature in question tends to go to great lengths, in showing how popular art is better than conventional art which is depicted as, among other things, elitist. Some of the artists in question are persuaded by the literature in question, leading to their evolution from being conventional art practitioners to popular art practitioners.
The third way in which ordinary painters typically evolve into pop art practitioners is through interactions with members of this particular art movement. Often, the practitioners of popular art tend to be rather different from other artists. They appear to be more passionate about their art and enjoy it more. It also appears as though they earn more from the practice of their art. They seem to be more of the type who finds more meaning in what they do. There is no doubt that these interactions would serve to convince these ordinary painters to try their hand at practicing popular art. This would spur their evolution from practitioners of conventional art to being more involved in practicing popular art.
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