Designed for small to medium sized venues and productions, the IM8 series is here to cater to your high quality audio needs. Available in three models the -24, -32, and the -40 mono channels mixing operators will surely have a lot of choices all at their disposal.
The mono channels are the only aspect that varies for the whole series so everyone can be assured that whatever features Yamaha promised for its IM8 series it does show in the IM8-32.
Measuring 570 x 80 x 290, the unit is only 9 inches longer than its -24 counterpart. The large familiar layout makes it easy to use and operate especially to the analogue buffs out there.
Aside from the 32 mono channels, the console also includes the IM8 standard eight groups, four stereo channels, eight auxiliary buses, the four-strip matrix, and mono out buses. Yamahas exclusive single-knob compressor is also here to save the user all the trouble of maintaining a tad number of controls.
The built-in microphone preamps that came from the same Yamaha gene pool can be also found in the IM8. That and a quick-response equalizer makes the Yamaha IM8-32 not so as complicated to use.
The master section contains 100mm long travel faders and metering on all ins and outs. On the other hand, LED meters are readily at hand to make it a simple job of monitoring on stereo output levels, the AFL, and the PFL points. Most of all, the IM8 also offers USB connectivity that can be used both for recording and playback.
With IM8-32 Yamaha has come up with specifically for smaller venues. This console is actually just suitable for choirs or school productions especially if the number of mono channels in the -24 could not accommodate the number of singers.
The convenience of this model over the IM8-24 apart from the obvious is, it comes from the fact that with the -32, the operator can leave some channels to its current setting. To save him from time, he can just plug to the previous setting and go with ease.
The mono channels are the only aspect that varies for the whole series so everyone can be assured that whatever features Yamaha promised for its IM8 series it does show in the IM8-32.
Measuring 570 x 80 x 290, the unit is only 9 inches longer than its -24 counterpart. The large familiar layout makes it easy to use and operate especially to the analogue buffs out there.
Aside from the 32 mono channels, the console also includes the IM8 standard eight groups, four stereo channels, eight auxiliary buses, the four-strip matrix, and mono out buses. Yamahas exclusive single-knob compressor is also here to save the user all the trouble of maintaining a tad number of controls.
The built-in microphone preamps that came from the same Yamaha gene pool can be also found in the IM8. That and a quick-response equalizer makes the Yamaha IM8-32 not so as complicated to use.
The master section contains 100mm long travel faders and metering on all ins and outs. On the other hand, LED meters are readily at hand to make it a simple job of monitoring on stereo output levels, the AFL, and the PFL points. Most of all, the IM8 also offers USB connectivity that can be used both for recording and playback.
With IM8-32 Yamaha has come up with specifically for smaller venues. This console is actually just suitable for choirs or school productions especially if the number of mono channels in the -24 could not accommodate the number of singers.
The convenience of this model over the IM8-24 apart from the obvious is, it comes from the fact that with the -32, the operator can leave some channels to its current setting. To save him from time, he can just plug to the previous setting and go with ease.
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