A television series in the seventies considered by many animation movies experts as the beginnings of the genre provides valuable insight into the exponential growth of anime. The series was supposed to go for 12 months, but after ten, it was almost axed from popular television. However, the developers noticed that there was a small loyal following. Today, the fame of anime is evident when reading such popular reviews such as the Code Geass anime review.
The Code Geass story is set in August 2010, with an evil empire keen on gaining control of the world. Japan is one of its victims, and the Holy Britannia Empire invades it easily using the Knightmare frames. These are mobile humanoid robots, which bring the country down easily. With the country on its knees, it remains a mere territory, stripped of its dignity and pride. The evil empire names it area 11.
A peculiar twist of events leads to hope of rescue. A cunning prince, exiled from the Britannia royal family, seeks to bring down the evil empire. Through a twist of events, the prince gets to meet a mystery woman, dressed as a masked terrorist. Through the meeting, the prince gets control of the Geass, with which he can get anyone to do his bidding. With this, his dream seems closer to reality.
The storyline of this animation series can be compared to many more before it. A notable similarity in this movie plot can be drawn to the Valvrave series. The main character in this series leads a revolution, and uses a magic object, together with clever chess moves to do it. However, that seems to be the end of the similarity trend.
However, it seems to be the end of everything mainstream about this series. One impressive coup the series pulls is having impressive characters. They manage to inject humor into subjects that are otherwise quite serious. The speech of emperor on international television is delivered in an over the top funny way. The main character never misses an opportunity to add a light touch to any situation.
The nature of the main character is perhaps the biggest point of differentiation. Everyone is used to the hero being noble and saintly, but not this one. He is content with using almost anyone he thinks will advance his agenda. He does not think about the consequences of his actions, whether the people he uses will get hurt or die.
Since the seventies, animation movies have grown and developed. During the past, they were reserved for the geek minority, but geeks are slowly being accepted. Look at the popular geeky storyline movies and series, like the billionaire geek Tony Stark in the Ironman Franchise, or the three academics in the Big Band theory.
But animation movies are much more than that. They provide a valuable insight into Japanese culture and are often so meticulously designed to be attractive to the audience. Adding to the beautiful art are the storylines, which combine a playful genre in cartoons, with the struggles of both teenage and adult themes. Code geass highlights all these aspects perfectly. With animation movies, they try to explore complex themes and then present them in a fun and simple manner.
The Code Geass story is set in August 2010, with an evil empire keen on gaining control of the world. Japan is one of its victims, and the Holy Britannia Empire invades it easily using the Knightmare frames. These are mobile humanoid robots, which bring the country down easily. With the country on its knees, it remains a mere territory, stripped of its dignity and pride. The evil empire names it area 11.
A peculiar twist of events leads to hope of rescue. A cunning prince, exiled from the Britannia royal family, seeks to bring down the evil empire. Through a twist of events, the prince gets to meet a mystery woman, dressed as a masked terrorist. Through the meeting, the prince gets control of the Geass, with which he can get anyone to do his bidding. With this, his dream seems closer to reality.
The storyline of this animation series can be compared to many more before it. A notable similarity in this movie plot can be drawn to the Valvrave series. The main character in this series leads a revolution, and uses a magic object, together with clever chess moves to do it. However, that seems to be the end of the similarity trend.
However, it seems to be the end of everything mainstream about this series. One impressive coup the series pulls is having impressive characters. They manage to inject humor into subjects that are otherwise quite serious. The speech of emperor on international television is delivered in an over the top funny way. The main character never misses an opportunity to add a light touch to any situation.
The nature of the main character is perhaps the biggest point of differentiation. Everyone is used to the hero being noble and saintly, but not this one. He is content with using almost anyone he thinks will advance his agenda. He does not think about the consequences of his actions, whether the people he uses will get hurt or die.
Since the seventies, animation movies have grown and developed. During the past, they were reserved for the geek minority, but geeks are slowly being accepted. Look at the popular geeky storyline movies and series, like the billionaire geek Tony Stark in the Ironman Franchise, or the three academics in the Big Band theory.
But animation movies are much more than that. They provide a valuable insight into Japanese culture and are often so meticulously designed to be attractive to the audience. Adding to the beautiful art are the storylines, which combine a playful genre in cartoons, with the struggles of both teenage and adult themes. Code geass highlights all these aspects perfectly. With animation movies, they try to explore complex themes and then present them in a fun and simple manner.
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