How should students in film school approach the romance genre? After all, it's one of the more popular genres in various forms of media, ranging from the books we read to the movies we watch. Of course, not every creation has to be rooted in romance and I am sure that others would agree. Nonetheless, it's important to understand how the aforementioned students can tackle this genre and ensure that the best results are shown through the films they create.
To start off, it's important for romance to be written well. You may want to go with a basic story of boy meets girl at some random setting, which can then play into events which feature the both of them getting closer. Of course, another story can be written with the idea of two best friends realizing deeper feelings for one another. Whatever the case may be, unless the narrative is written well, the goal of incorporating romance is not going to be met.
Even though romance can be something of a side genre to a film, this doesn't mean that others should be downplayed. Everything from action to horror can include some degree of romance but that doesn't mean that the aforementioned genres should be downplayed. When this is done, they aren't as effective, which is unfortunate considering the desires of the audiences they draw in. Do not forget the initial goal of your own project and you should be fine.
Tropes should also be recognized, as a filmmaker who's focused on incorporating romance. Specifically, you want to make sure that these are avoided, since these can serve to make your film come across as tired and unoriginal. Traits like these do not necessary add to your film; if anything, they take away from what it is you're trying to bring life to. Try to stick to more original twists, if you can, and cast aside the idea of utilizing tropes that have been used so many times before.
No one can argue with the fact that romance can add something special to any kind of film. It's able to show human emotion to the highest degree, provided the right writing and the perfect acting alike are set in place. Once these qualities are cemented, there's no doubt that romance will be shown and make a film that much better. Focus on the aforementioned qualities and your abilities, as a filmmaker, will only become that much stronger.
To start off, it's important for romance to be written well. You may want to go with a basic story of boy meets girl at some random setting, which can then play into events which feature the both of them getting closer. Of course, another story can be written with the idea of two best friends realizing deeper feelings for one another. Whatever the case may be, unless the narrative is written well, the goal of incorporating romance is not going to be met.
Even though romance can be something of a side genre to a film, this doesn't mean that others should be downplayed. Everything from action to horror can include some degree of romance but that doesn't mean that the aforementioned genres should be downplayed. When this is done, they aren't as effective, which is unfortunate considering the desires of the audiences they draw in. Do not forget the initial goal of your own project and you should be fine.
Tropes should also be recognized, as a filmmaker who's focused on incorporating romance. Specifically, you want to make sure that these are avoided, since these can serve to make your film come across as tired and unoriginal. Traits like these do not necessary add to your film; if anything, they take away from what it is you're trying to bring life to. Try to stick to more original twists, if you can, and cast aside the idea of utilizing tropes that have been used so many times before.
No one can argue with the fact that romance can add something special to any kind of film. It's able to show human emotion to the highest degree, provided the right writing and the perfect acting alike are set in place. Once these qualities are cemented, there's no doubt that romance will be shown and make a film that much better. Focus on the aforementioned qualities and your abilities, as a filmmaker, will only become that much stronger.
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